For most sanctuaries, we recommend a hearing loop for members whose hearing aids or cochlear implant processors have a telecoil, plus Auracast™ broadcast audio from the same sound feed for phones, earbuds and newer hearing aids, installed now or planned as an upgrade. Most loops take one to two days on site, with the pews left in place.
A typical sanctuary, at a glance
Typical cost
$3,500–6,000 for a loop up to about 300 seats; from $6,000 with Auracast added. Receivers are a separate line.
Time on site
One to two days on site for most sanctuaries, three or four for saw-cut floors, balconies or phased arrays.
What stays put
The pews, and usually your carpet: we lift and relay only a narrow strip, or route below.
Free first step
A written budget range from your photos, ready for your committee.
Synagogues, mosques and temples have the same rooms and face the same choices, so everything on this page applies to them too.
A sanctuary at the survey stage, before any wire goes in. The pews stay where they are.
Why churches add a hearing loop
Churches rarely call about a regulation. They call because someone stopped coming: a longtime member who moved closer to the front, then started missing the sermon, then started missing Sundays. Hearing aids work across a table, but in a sanctuary the pastor’s voice crosses 30 or 40 feet of echoing room first.
A hearing loop skips the room. It sends the sound from your mixer as a magnetic signal that hearing aids and cochlear implant processors pick up through their telecoil, a small receiver built into many of them. No app, nothing to borrow, essentially no delay. Auracast, the Bluetooth broadcast that compatible phones, earbuds and hearing aids can join, reaches the people a loop can’t. Every loop quote we write includes an Auracast line.
Do churches have to meet the ADA?
Usually not. Religious organizations and the places of worship they control are exempt from Title III of the Americans with Disabilities Act (42 U.S.C. §12187), the part that covers businesses and other places open to the public. Building codes are a separate matter: many have their own assistive listening requirements for new buildings, additions and major renovations, and how they reach places of worship varies by state and town. If you’re planning work, ask your architect or building department early.
So a church can size its loan receivers to its own members. We still suggest a small set, and many churches size it like the ADA table as good practice. Our ADA guide explains whether churches have to provide assistive listening. The stronger reason to act is your own congregation. General information, not legal advice.
Loop, Auracast or both for a congregation
For most congregations, both. The loop serves members whose hearing aids or implant processors have a telecoil, as many older members’ do. Auracast adds people with compatible phones, earbuds and newer hearing aids, and it’s a sensible replacement for an aging FM or infrared system.
Our view, as of October 2026Reviewed quarterly.
Loop, Auracast or both, for a congregation
Hearing loop
Auracast broadcast
Our defaultBoth, from one feed
Who it serves
Hearing aids and implant processors with a telecoil; anyone with a loop receiver and headphones
Compatible Android phones and earbuds, hearing aids that support Auracast, loan receivers
Everyone in both columns
What the listener does
Switches to the telecoil program
Picks your church’s broadcast in a phone menu or hearing-aid app
Whatever their device supports
Delay
Essentially none
A few tens of milliseconds
None on the loop
Work in the sanctuary
Wire under carpet, along pews or on the ceiling below
A transmitter on the wall and a cable from the mixer
The loop work plus about a day
Narthex and overflow
Only where looped
Wherever the signal reaches, or with another transmitter
Auracast covers them
Today’s limits
Needs a telecoil or a loop receiver
IPhones can’t join on their own yet; most hearing aids in use don’t support it
A committee needs something to look at before it approves even a visit. So the first step is free: send a seat count and a few photos of the sanctuary and the sound desk, and we send back a written budget range, with and without Auracast, that you can put in front of the committee. Our one-page sheet for church committees explains loops and Auracast in plain language, with a box for your own room’s numbers.
If the committee wants a firm price, the next step is a site visit. You get written findings with a recommended approach, a coverage preview labeled as a model prediction, and a budget range, plus a video call with your committee of up to 30 minutes. A fixed-price proposal follows at no charge, always with an Auracast option, and the visit fee comes off the installation.
If you collect several quotes, ask every bidder the same questions:
Will you measure the finished system against IEC 60118-4 and give us the readings in writing?
How will you handle the balcony, the choir and any metal in the floor?
Will anyone see the wire?
Does the price include Auracast, loan receivers, signs and training?
If you’re not around in ten years, can someone else service it?
Have a hearing loss yourself?
If you’re asking your church, library or residence to add a loop, we’re glad to help by text, email or a captioned video call, and we can join a committee meeting by video or in person when we’re nearby. Text 847-212-4216, email dave@equalaccessaudio.com, or see how to ask your venue.
What it costs, and how churches pay for it
Most simple sanctuaries, up to about 300 seats in straightforward construction, land at $3,500–6,000 for the loop, installed, including design, the commissioning report, signage and training. Our usual recommendation, the loop plus Auracast from the same feed, starts at from $6,000. Loan receivers are listed separately, because most churches aren’t bound by the ADA count and can choose how many they want.
Church prices, as of October 2026. Loan receivers are listed separately.
Project
Typical range
Simple sanctuary or hall, up to about 300 seats
$3,500–6,000
Our default: loop plus Auracast from one feed, simple sanctuary or hall up to about 300 seatsThe loop price plus the Auracast add-on. Loan receivers extra where you need them.
from $6,000
Added loop zone: choir, fellowship hall or overflow room
from $2,000
Large church, phased array or high-metal building
$9,000–25,000+
Auracast added to a working loopOne transmitter, the feed, signage and a walk test. Receivers extra if the ADA count needs them.
from $2,500
Auracast on its own, with a few loan receivers (no ADA-size fleet needed for most churches)
from $2,500, plus receivers
Loan receivers, if you want them (equipment street prices)
Loop: $160–310 each · Auracast: $335–377 each
Site visit or Loop Health Check visitWithin about an hour of Buffalo Grove, or anywhere on a day we’re already in your area. One building, usually one or two looped rooms. Credited in full within 90 days.
$500
A free written range first; a fixed-scope written quote after a site visit. Every loop quote shows the Auracast option.
Concrete or steel, saw-cutting, a balcony, a band on the platform and very wide rooms push a project higher. See every price range and what drives it.
Paying for it
Church loops are often paid for with a memorial gift or a designated donation. Local Lions and Sertoma clubs have helped fund loops in their communities, and the Center for Hearing Access keeps a list of funding sources for hearing loops. You can also phase the work: main floor now, balcony or Auracast later, designed up front so nothing is redone. If your committee sets next year’s budget this fall, tell us when you book a visit, and we’ll hold the visit credit for 180 days instead of 90. The IRS §44 credit and §190 deduction are aimed at businesses; ask your tax advisor.
Will a loop work in our sanctuary?
Yes, with the right design. Pews, balconies, slabs and old floors don’t rule out a loop; they decide where the wire goes, how many zones you need and what the job costs.
IllustrationNot to scale
Scroll or swipe sideways to see the whole drawing.
Loop wire
Numbered spots, explained below
Seated listening height
In plain English: (1) the main floor gets one loop, under the carpet or (2) on the basement ceiling below it. (3) The balcony and (4) the choir get zones of their own. (5) One Auracast transmitter can often cover the whole room.
Figure 1. Where the wire can go in a sanctuary with a balcony and a basement. The basement route sits about 1.5 ft below the sanctuary floor and leaves the sanctuary itself untouched.
Pews and stepped floors
Fixed pews tell us exactly where people sit. The wire runs in the aisles and along the pew rows; on stepped floors, under the pews or in the back corner of each step. We design for a seated listening height of about 4 ft (1.2 m).
Wood floors, basements and slabs
Over a basement, the wire often doesn’t need to be in the sanctuary at all: on the basement ceiling, about 1.5 ft below the floor, it serves the pews above. On a slab, we lay copper tape under carpet or cut shallow channels. Read how we design a loop around your floor and the metal in it.
Field note · Loops
Rebar eats the treble first.
Steel in a concrete floor soaks up the loop’s signal, most of all the high frequencies that carry consonants, so speech turns muffled rather than just quiet. We test the metal where we can and, when we must estimate, estimate a little high: guessing low can mean costly rework.
Rule of thumb from our design software (we measure on site): standard reinforced concrete, about 3–6 dB at 1 kHz and 9–18 dB at 5 kHz. Timber: 0–2 dB.
Balconies, choir and the worship band
A main floor loop isn’t designed for people 12 or 15 feet above it, so a balcony gets its own zone, with its own metal-loss figure. A choir loft can be an added zone. With a worship band, we keep the field off the platform, because guitar and bass pickups can hear a loop; the fix is the layout, not less volume.
How disruptive is the installation?
Less than most committees expect. A sanctuary loop typically takes one to two days on site, three or four with a balcony, saw-cutting or a phased array, and Auracast adds about a day. The pews stay put. If your carpet is staying, we lift and relay a narrow strip along the wire path, or route along the pews or on the ceiling below. From least to most invasive:
On the ceiling below, or the room’s own ceiling. Nothing in the sanctuary changes.
Along and under the pews, out of sight.
Under carpet. Copper tape doesn’t show under carpet. With carpet that’s staying, we lift and relay a narrow strip along the wire path; with new carpet, the tape goes down first. We brief the flooring crew and leave a loud cut-wire alarm on the tape, because even good carpet installers cut tape.
Saw-cut channels for tile or bare concrete, made with a dustless dry saw and sealed flush.
Every circuit is tested before anything covers it. In David’s words: “If you seal in a mistake, it will be a disaster to fix.”
Working with your sound volunteer
The loop and any Auracast transmitter take their sound from your mixer, so your sound volunteer matters as much as the wire.
Illustration
Your mixerMics, choir, organ, videoAssistive listening sendAux or matrix, before any delay
Loop driver and loopHearing aids and implants with a telecoil, essentially no delay.
Auracast transmitterCompatible phones, earbuds, hearing aids and loan receivers.
Figure 2. One feed from your mixer serves both systems. Take it before any loudspeaker delay, and include every source the congregation hears.
A feed built for listening: every source the congregation hears, with gentle, steady level control rather than heavy automatic gain that makes speech pump.
Settings that don’t drift. On digital mixers we check that recalling a scene doesn’t wipe out the assistive listening send, a common reason a loop goes quiet on a Sunday.
A one-page operating card at the sound desk, and training at handover that your volunteers can pass on.
More detail: fellowship halls, overflow rooms and the livestream mix
A fellowship hall can get its own small loop; an overflow room suits Auracast. If you livestream, that mix is often a better feed than the main mix, which may leave out the organ or choir because they’re already loud in the room.
More detail: can we just buy an Auracast transmitter ourselves?
You can, and in a small room it may work well. A consumer transmitter costs about $60–160. What it won’t do is plan coverage for a full sanctuary, make sure hearing aids can join, give everyone else a way in, or show that anyone can hear it. When a setup falls short, it’s usually one of these:
Hearing aids can’t join while phones can: the stream is set to 48 kHz “high quality” only, which most hearing aids can’t play.
It drops out at Easter. Boxes claim 85–100 m of range; indoors, with a congregation, plan on 30–40 m. People absorb the signal: about 10 dB for one person in the path, 15 dB for two.
A strong signal, but silence, because the mixer output feeding it is muted.
No way in for everyone else: no loan receivers, neckloops or signs.
Upgrading a do-it-yourself setup doesn’t mean throwing it out: we fix the on-air settings and the feed, add what the room needs, and walk-test it. Describe what isn’t working
After the installation
A loop nobody knows about doesn’t help anyone. At handover you get:
Signs with the hearing-loss symbol and telecoil “T”, plus Auracast signs with your broadcast name.
Bulletin text on using the telecoil, joining Auracast and borrowing a receiver.
Help with listings on the Center for Hearing Access state lists of looped venues, your Google listing’s “Assistive hearing loop” and “Auracast broadcast audio” attributes, and the Bluetooth SIG’s free Auracast location registration.
Will a loop work in an old church with wood floors?
Usually, yes. Wood takes very little out of a loop’s signal, far less than concrete. The catch is movement: old boards that flex can fatigue copper tape over the years. Over a basement, we often run the wire on the basement ceiling; otherwise along the pews or where the floor is solid.
Do the pews or the carpet have to come up?
The pews, no. If your carpet is staying, we lift and relay a narrow strip along the wire path, or route along the pews or on the ceiling below. Saw-cutting is only for bare tile or concrete, and new carpet is the ideal moment to loop.
Some members don’t have telecoils, or only have an iPhone. Will they benefit?
Yes. Members without a telecoil can borrow a small receiver and listen with headphones. Auracast adds compatible Android phones, earbuds and hearing aids that support Auracast. As of October 2026, iPhones can’t join an Auracast broadcast on their own, so iPhone users can join through the app for hearing aids that support Auracast, or borrow a venue receiver. That’s why we recommend both systems.
Our FM system barely gets used. Should we fix it or replace it?
Usually replace it. FM and infrared depend on members asking for a receiver, and many never do. Auracast is the natural successor: members with compatible devices use their own, and a few loan receivers with neckloops cover everyone else. If many members wear hearing aids, add a loop at the same time.
Can you work with our sound volunteer and our current mixer?
Yes. Almost any mixer with a spare output can feed a loop and an Auracast transmitter. We set up a dedicated assistive listening send, make sure recalling a scene doesn’t erase it, label it, leave a one-page operating card at the desk, and train your volunteers at handover.
Do you come to our area, and what does a visit cost?
The first call and a written budget range from your photos are free. A site visit is $500 within about an hour’s drive of Buffalo Grove, or anywhere on a day we’re already in your area; longer trips are quoted before you book. The full fee comes off the installation, repair or upgrade if you go ahead within 90 days, or within 180 days for grant-funded and board-approved projects when we agree it at booking. Most of our recent direct work has been in Wisconsin, from Madison to the Milwaukee suburbs, and in central Illinois. A day we’re already in your area puts us in your building on the same terms as a Chicago suburb. See visit fees by distance and where we work.
Who keeps it working after you leave?
Mostly, it keeps itself working. We hand over the commissioning report, as-built drawings and settings, and use standard manufacturer equipment any qualified installer can service. Trouble usually follows new carpet, a renovation or a reset mixer; an annual check catches it.
Tell us about your sanctuary.
A rough seat count and a few photos of the sanctuary, the sound desk and any existing equipment are enough for a free budget range. You’ll hear back from David within 2 business days.
A free budget range your committee can use
Any visit is quoted before you book it
Designed around your services and your sound volunteer